The first one feels a lot like a straight-to-VHS movie, and starts in the Hyborean era, with lots of exposition telling unfamiliar readers who Conan is and where he's from, and then into a slightly too long scene showing how he ends up in the 20th century. An evil wizard has found a mysterious "well in time", and when he throws things into it, objects from the future come out of it, and Conan is his latest planned sacrifice. Rather than death, what awaits Conan in the well is th dirty, hot, violent world of New York in the summer of 1977.
From this point on is where it begins to feel like a family movie, despite the grittiness inherent in anything set in 70s New York: Conan doesn't speak English, gets mistaken for both Sylvester Stallone and Arnold Schwarzenegger (this being printed a few years before Arnie actually played Conan, so it's coincidence rather than reference), puts an old lady in a bin, and meets, befriends and seduces a pretty young taxi driver. While she shows him photos from around the world to find out where he's from, Conn freaks out at a picture of the Guggenheim museum, since it looks like the wizard's lair, but upside down.
So they go to the Guggenheim in the dead of night, to discover that it's being burgled. The taxi driver gets shot by the burglars, enraging Conan, who swiftly deipathes them. Eventually the cops show up, and Conan climbs to the top of the museum, where he gets struck by lightning, which returns him home. It's a really fun story, and the art in particular is excellent, managng to be both dark and colourful. And I've never been to New York at all, never mind how it was a decade before I was born, but it really captures the feel of the place I've gotten from watching TV shows and movies from that era.
The second issue is a lot grittier, starting with a change to the ending of the previous story: Conan reaches the roof of the Guggenheim a few minutes before lightning strikes, and is arrested, rather than getting sent back in time. He escapes from court and runs away to seek his fortune. He slowly stars a career as a mugger, eventually moving up to druglord as he gets the hang of English.
Eventually, he gains the loyalty of a bunch of bodybuilders/criminals who become his gang, the Barbarians, who go about seeking excitement and riches while wearing a mix of 70s New York street fashion, along with swords, horned helmets and loincloths. Along the way, Conan goes to visit the girl who helped him when he was new to the modern era, but unfortunately, he does so wearing a white suit and walking a leopard on a chain, making her think he's become a pimp, and she wants no part of what he's offering.
After a while, the Barbarians' crime spree attracts the attention of no less than Captain America, who tries to apprehend them, single-handed, as they rob an exhibit of Hyborean Gold and artifacts. It doesn't go well for Cap, as he finds Conan a formidable opponent, and takes a sword to the shoulder. The two do develop a respect for each other's code of honour, though, and Conan sets up a duel between the two.
The duel is ambushed by a small army of heavily-armed cops, however, and in the affray, Conan's second-in-command gets killed. Conan manages to get away, though not before Cap offers him a place on the Avengers and a chance to do good. Annoyingly, the story ends with a sequel tease, as Conan considers the offer, but there was never a third episode of this series, and since Marvel haven't had the license for years, there probably never will be.
All in all, these two issues are two of my favourite What Ifs (and it's a series I've always liked), and definitely the best of the first volume, which had a lot of lacklustre stories, especially compared to later incarnations of the series. I definitely recommend seeking them out.
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