Monday, 27 July 2015

The Other Side - Human Furry Animals

I first saw this documentary when it aired back in 2000, and since at the time, I'd had no internet access, and the infamous CSI episode, as well as the various more salacious and exploitative furry documentaries hadn't aired yet (or if they had, I hadn't seen them), this was the first time I'd ever heard of furries as a subculture. Looking at it now, it's actually very different to the modern-day stereotypes of furry culture: there's no fursuits on display, only at the most face and bodypaint, and ears and tails. Furthermore, rather than simply looking in from a distance, the bulk of the documentary is spent on long, personal interviews with a few furries, and the sexual aspect of the subculture is touched upon, but it's far from the focus.


Instead, furries are shown to be pretty much just like any other subculture outside of the mainstream, just a group of disparate people brought together by a common interest. Though, it is mentioned that there's a higher than average proportion of LGBT members in the community, and we do see a lot more men onscreen than women, too, and also everyone in the documentary is white. I don't know if this was representative of the furry scene as it was in London at that time, if it just happened to be whoever was present when the cameras were, or even if there were people who didn't want to be filmed, though.

As I've already mentioned, the sexual and fetishistic aspects of the subculture are only touched upon briefly, and with more respect towards the subjects than most later documentaries would afford, but a great deal is made of tactility. The way furry material feels against the skin, the fact that furries do a lot of hugging, scratching, biting and other physical interactions when meeting in person is talked about a fair bit. Sounds pretty nice, to be honest, though I can imagine that some less socially adjusted members of the subculture would probably cause problems by overreaching people's boundaries (this possibility isn't mentioned at all, though. Maybe it hadn't happened at any of this group's meets? I don't know).

There's also an interview with someone from a sub-subculture of "weres", who believed that he was a wolf in a human's body. I guess in modern internet parlance, this person would be considered Otherkin? This segment made me feel a little uncomfortable, as the interviewee talked a lot about their innermost feelings, and the way they perceive the world through the senses of a wolf, and it all felt a little bit voyueristic. Only a little bit, though, and it doesn't put a damper on what's otherwise a nice little documentary. When I did get internet access the following year, I was surprised to learn how vilified furries were online, it seemed odd to me that people would get so angry about those nice people from the doc i watched.

Saturday, 6 June 2015

Some Rambling Thoughts on Early 80s X-Men

(For clarification, we're talking roughly issues 150-200 of Uncanny X-Men, and this post is slightly adapted and slightly expanded upon from a forum post that I wanted to keep here for prosperity.)

One thing i'm really enjoying about 80s X-Men is generally how tactile and hormonal it is. I don't think there's anything like it in modern mainstream superheros. The closest would probably be Adam Warren's Empowered, but that obviously has a lot more sex, and the characters are a few years older than the 80s X-Men. but there's a part where Nightcrawler, Rogue and Colossus are training/play-fighting and Nightcrawler jokes about kissing Rogue, and she flies off crying. He realises what he's done and says to Colossus "I never even realised she's never had the experiences we take for granted: she's never been kissed, never even been touched!"

But what I'm talking about isn't really a sex thing. It's more like how most of the characters are going through teenage/young adult stuff, like working out who they are and their place in the world.
 

There's also loose tiers maturity among the characters. There's the naive youngsters, like Shadowcat and Colossus. The young adults, who might not be much older than them, but they've lived lives that have made them more mature by necessity: characters like Storm and Nightcrawler. Then there's the actual adults, who all have different methods and levels of involvement with regards to the upbringing and education of the younger characters: Xavier, Wolverine, Cyclops, Banshee, even Emma Frost and Magneto could be considered part of this category at times. One issue in particular I really like regarding Magneto has him taking Kitty Pride (Shadowcat) to the National Holocaust Memorial in the hopes of finding someone who might have known her great aunt. (And of course, Emma Frost eventually becomes, along with Banshee, one of the mentors of Generation X, an all-teen X-Men offshoot in the 90s)

I guess what I'm trying to get across here is that the most important thing about this era of X-Men is that it's about growing up in a non-traditional situation while also feeling like an outsider to society, and that's why I love it so much. What I'm really looking forward to, though, is catching up to the mid-late 90s era starting with the Phalanx Covenant and Age of Apocalypse storylines, which is where I started reading X-Men (and superhero comics in general) as a kid, and seeing what my enlightened adult brain takes from it now.